Sublime
An inspiration engine for ideas
Says James Webb Young, one of the best copywriters in history, ‘Every type of advertiser has the same problem: to be believed. The mail-order man knows nothing so potent for this purpose as the testimonial, yet the general advertiser seldom uses it.’
David Ogilvy • Ogilvy on Advertising
We now needed a name for this sauce, and what we came up with—Newman’s Own Industrial Strength All-natural Venetian-style Spaghetti Sauce—horrified our brokers. “Industrial strength! They’ll think it’s for factories—they’ll never buy it to put on spaghetti.” As usual, we disregarded their “expertise”
A.E. Hotchner • In Pursuit of the Common Good: Twenty-Five Years of Improving the World, One Bottle of Salad Dressing at a Time
Claude Hopkins • Scientific Advertising
This is marketing!
Atmos Black • 19 cards
The purpose of my ads was to project the agency as knowing more about advertising. You may argue that this strategy was ill-advised, knowledge being no guarantee of ‘creativity.’ But at least it was unique, because no other agency could have run such advertisements – they lacked the required knowledge. My ads not only promised useful information, t
... See moreDavid Ogilvy • Ogilvy on Advertising
Super Duper Profitable Ads: Swipe My $5 Video Ads Playbook That Grew My Consulting Business To 7+Figures
amazon.com
‘Almost any question can be answered, cheaply, quickly and finally, by a test campaign. And that’s the way to answer them – not by arguments around the table.’ ‘Ad writers forget they are salesmen and try to be performers. Instead of sales, they seek applause.’ ‘Whenever possible we introduce a personality into our ads. By making a man famous we ma
... See moreDavid Ogilvy • Ogilvy on Advertising
Ad legend Bill Bernbach letter on creativity, written in 194...
sublime.app
Now look at the advertisements in the same magazines. You will see that: O Illustrations are given priority over copy. O The copy is often set in sanserif, which is hard to read; we are accustomed to serifs in books, magazines and newspapers. O The copy is often set in one column of 120 characters or more – too wide to be readable. O Few of the pho
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