Sublime
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Burns was
Jean McNeil • The Dhow House
Certes, la grande ville resplendit de ses lumières, néons, vitrines, cinémas, spectacles, concerts, mais elle subit de plus en plus les ravages de l’anonymisation.
Edgar Morin • La Voie : Pour l'avenir de l'Humanité (Essais) (French Edition)

FEW THINGS ARE more mysterious than someone else’s favorite film. To hear it named is to be puzzled. You appreciate its merits but not how it can be preferable to all others. Perhaps your favorite film isn’t the one that you like best but the one that likes you best. It confirms you on first encounter, and goes on to shape you in some irreversible
... See moreTeju Cole • Known and Strange Things
“His trip reports betray a theme, in photo after photo entirely devoid of human companionship: empty lounges, first-class menus, embroidered satin pillows—inanimate totems of a five-star existence.” But he’s winning.
James K. A. Smith • On the Road with Saint Augustine: A Real-World Spirituality for Restless Hearts
In To Save Everything, Click Here, Evgeny Morozov implores the reader to “inquire into how Facebook mediates the very conditions of authenticity, sometimes by erecting new barriers and constraints but, more often, by destroying them.”
David A. Banks • The City Authentic: How the Attention Economy Builds Urban America
The Generic City,”