Sublime

Rikyu took the baton of artlessness from his predecessor, Ikkyu, when he introduced Korean craft pottery into his tea ceremony. The Korean potters, who might have made a hundred similar pots in a day, were probably totally devoid of any thought of artistic aspirations as they worked, and it was just this lack of intellect that proved so attractive

Teishin,

“A roshi is a person who has actualized that perfect freedom which is the potentiality for all human beings. He exists freely in the fullness of his whole being. The flow of his consciousness is not the fixed repetitive patterns of our usual self-centered consciousness, but rather arises spontaneously and naturally from the actual circumstances of

Han-shan.

to identify satori with the consequent feeling of relief, with the sense of relaxation, is quite misleading, for the satori is the letting go and not the feeling of it. The conscious aspect of the Zen life is not, therefore, satori–not the “original mind”-but everything one is left free to do and to see and feel when the cramp in the mind has been

Teitaro Suzuki, unofficial lay master of Zen Buddhism, humorous offbeat scholar, and about the most gentle and enlightened person I have ever known; for he combined the most complex learning with utter simplicity. He was versed in Japanese, English, Chinese, Sanskrit, Tibetan, French, Pali, and German, but while attending a meeting of the Buddhist

Ryokan,