The Way of Zen

The momentariness of sumi paintings and haiku, and the total presence of mind required in cha-no-yu and kendo, bring out the real reason why Zen has always called itself the way of instantaneous awakening. It is not just that satori comes quickly and unexpectedly, all of a sudden, for mere speed has nothing to do with it. The reason is that Zen is

But just as there is no need to try to be in accord with the Tao, to try to see, or to try to hear, so it must be remembered that the breath will always take care of itself. This is not a breathing “exercise” so much as a “watching and letting” of the breath, and it is always a serious mistake to undertake it in the spirit of a compulsive disciplin

Until this has become clear, it seems that our life is all past and future, and that the present is nothing more than the infinitesimal hairline which divides them. From this comes the sensation of “having no time,” of a world which hurries by so rapidly that it is gone before we can enjoy it. But through “awakening to the instant” one sees that th

Haiku and waka poems convey perhaps more easily than painting the subtle differences between the four moods of sabi, wabi, aware, and yugen.

so far as Zen is concerned, the end results have nothing to do with it. For, as we have seen all along, Zen has no goal; it is a traveling without point, with nowhere to go. To travel is to be alive, but to get somewhere is to be dead, for as our own proverb says, “To travel well is better than to arrive.”

By the seventeenth century the Japanese had brought this “wordless” poetry to perfection in the haiku, the poem of just seventeen syllables which drops the subject almost as it takes it up. To non-Japanese people haiku are apt to seem no more than beginnings or even titles for poems, and in translation it is impossible to convey the effect of their

A world which increasingly consists of destinations without journeys between them, a world which values only “getting somewhere” as fast as possible, becomes a world without substance. One can get anywhere and everywhere, and yet the more this is possible, the less is anywhere and everywhere worth getting to. For points of arrival are too abstract,

Western science has made nature intelligible in terms of its symmetries and regularities, analyzing its most wayward forms into components of a regular and measurable shape. As a result we tend to see nature and to deal with it as an “order” from which the element of spontaneity has been “screened out.” But this order is maya, and the “true suchnes

For the moral act is significantly moral only when it is free, without the compulsion of a reason or necessity. This is also the deepest meaning of the Christian doctrine of free will, for to act “in union with God” is to act, not from the constraint of fear or pride, nor from hope of reward, but with the baseless love of the “unmoved mover.”