Sublime
An inspiration engine for ideas
“I’ve been grading my students’ lab reports both for their scientific merit,” Professor Potts said, “and for the language in which they tell me what they did, what their results were and how they interpret those results.
William Zinsser • Writing to Learn: How to Write - and Think - Clearly About Any Subject at All
wrote about Scott, for example, but I gave him a cover name: Julian [in “The Snows of Kilimanjaro”].
A. E. Hotchner • Hemingway in Love: His Own Story
Some editors are put off by brilliant but idiosyncratic manuscripts and some, such as Perkins, are enticed by them.
A. Scott Berg • Max Perkins: Editor of Genius
RUTHLESS PEOPLE
Peter Thiel, Blake Masters • Zero to One
‘Instead of perpetuating the pretentious nonsense of Homeric, chromatic, and visceral chapter headings, instructors should prepare maps of Dublin with Bloom’s and Stephen’s intertwining itineraries clearly traced.’
Erling Kagge • Walking: One Step at a Time
Then, Max wrote, S. S. Van Dine called “to give notice” that he would bring in his newest manuscript—
A. Scott Berg • Max Perkins: Editor of Genius
he had offended the daily critics in the book by referring to the New York crowd as “angleworms in a bottle” and to critics as the lice that crawl on literature;
A. Scott Berg • Max Perkins: Editor of Genius
Overuse of metaphorical language will test a novel’s credibility.