Sublime

To make short sentences, you need to remove every unnecessary word. Your idea of necessary will change as your experience changes. The fact that you’ve included a word in the sentence you’re making Says nothing about its necessity. See which words the sentence can live without, No matter how inconspicuous they are. Every word is optional until it p

Olivia reads Barbara’s poems and has Marie make copies of every one, and when Barbara comes again—not every time, only sometimes—she will tell her to make a change or find another word. She always says the same two things, either “You were not present when you wrote this” or “You were the audience instead of the writer.” Once she tells Barbara that

After twenty-five minutes everyone returned to the table. Some of them had produced pages of script, despite an instruction to write no more than two hundred words each. Aspiring writers often seemed contemptuous of word counts, perhaps feeling that no limit should be placed on creativity. But shape and rigour are important too. Letting it all ‘flo

S. J. Perelman to talk to my students, and one of them asked him, “What does it take to be a comic writer?” He said, “It takes audacity and exuberance and gaiety, and the most important one is audacity.” Then he said: “The reader has to feel that the writer is feeling good.” The sentence went off in my head like a Roman candle: it stated the entire

I want to argue a paradox that the myth asserts: that the origins, liveliness, and durability of cultures require that there be space for figures whose function is to uncover and disrupt the very things that cultures are based on.