Sublime
An inspiration engine for ideas
Hitchcockian Forsyth's tea room.
Paul Levy • The Filthy Guide to the Edinburgh Fringe: A Helpful Journey Through the First Level of Fringe Hell
The golden rule in series is that the needs/flaws should either be overcome fleetingly, or possibly never, but certainly not until the final episode
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Sorry, we’re unable to display this type of content.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
The story demands it and instinct tells us the tale can’t be over until that confrontation takes place.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
the reality genre.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
they are the product of the writer’s argument with reality.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
As the story unfolds and opposites are bridged, the audience infers causality and the story comes alive.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Just for a second, like a fool, I get my hopes up. If a case comes in through the gaffer, instead of through our admin straight to the squad room, it’s because it’s something special. Something that’s going to be so high-profile, or so tough, or so delicate, it can’t just go to whoever’s next on the rota; it needs the right people. One straight fro
... See more