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He should have one strong goal, usually inspired directly by the inciting event and often motivated further by strong beliefs or past experiences, that will carry him throughout the book, probably right up to the end (although sometimes it’s necessary for characters to completely change their goals at some point in the story).
K.M. Weiland • Outlining Your Novel
5 Secrets of Story Structure: How to Write a Novel That Stands Out (Helping Writers Become Authors Book 7)
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Of course you’ll want to weave Plants and Payoffs all through the story. You can often develop these in rewrites, and it’s a good idea to do one read-through just looking for places to plant and payoff.
Alexandra Sokoloff • Writing Love: Screenwriting Tricks for Authors II: Story Structure for Pantsers and Plotters (Screenwriting Tricks For Authors (and Screenwriters!) Book 2)
Writing about a hero who transforms—who comes out of the story a different person than who they started as—is the secret sauce of best-selling novels.
Jessica Brody • Save the Cat! Writes a Novel: The Last Book On Novel Writing You'll Ever Need
The best ghostwriters don’t actually get paid to write. They get paid to stress-test the client’s thinking. They get paid to ask thoughtful questions, present different perspectives, and sharpen ideas down to something easily digestible. This is what’s “valuable” to the client.
Nicolas Cole • The Art & Business Of Ghostwriting: How To Make $10,000+ Per Month Writing For Other People Online
In the first six months of writing anywhere social on the internet, you have three primary goals: Goal #1: See whether or not you can be consistent.
Nicolas Cole • The Art and Business of Online Writing: How to Beat the Game of Capturing and Keeping Attention
How to Publish a Book on Amazon in 2024: Real Advice from Someone Who’s Doing it Well (Work from Home Series: Book 5)
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From Word to Kindle: Self Publishing Your Kindle Book with Microsoft Word, or Tips on Designing and Formatting Your Text So Your Ebook Doesn't Look Horrible (Like Everyone Else's)
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My first goal is to hammer all this down into a premise: a single sentence that conveys the plot and the theme.