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Constantly be searching for the asymmetric bets both in life and businessAlways be asking – “What can I do that has little downside but if it works out, can have a huge payoff?”

Tony Sheng • #07 - Erik Torenberg thinks we should build career moats

To make success a reality, we must shift our mindsets away from filling jobs and adopt a vision long prevalent in the entertainment industry: talent management.

Trey Taylor • A CEO Only Does Three Things: Finding Your Focus in the C-Suite

strategy

Dani Murphy • 5 cards

Strategy

Claudiu • 25 cards

as go to market (GTM).

Marty Cagan • INSPIRED: How to Create Tech Products Customers Love (Silicon Valley Product Group)

in the twenty-first century, the most disruptive, profitable, and valuable path to advantage isn’t differentiating stuff, but making a difference to people, communities, and society.

Umair Haque • The New Capitalist Manifesto: Building a Disruptively Better Business

Tyler’s distribution strategy, application design, intellectual tastes, and influence on awardees all interplay to explain his success as a talent curator.

kulesa.substack.com • Tyler Cowen is the best curator of talent in the world

the only way to maintain a competitive advantage in the media and entertainment business is to continue knowing more about your audience than the competition does.

Tom Webster • The Audience Is Listening: A Little Guide to Building a Big Podcast

In her 2014 book Blockbusters, Harvard Business School professor Anita Elberse showed how mega hits have become more important across the whole entertainment industry. “Smart executives bet heavily on a few likely winners. That’s where the big payoffs come from,” she writes.