Salman Ansari
@salmanscribbles
embracing my inner polymath — writing, drawing, coding, playing
Salman Ansari
salman.io
i want to make software that feels like magic.
Eugene Kudashev • i want to make software that feels like magic
He said that it’s a very good idea that after you write a little bit, stop and then copy it. Because while you’re copying it, you’re thinking about it, and it’s giving you other ideas. And that’s the way I work. And it’s marvelous, just wonderful, the relationship between working and copying.
Mason Currey • Seek funny leaps
This Nonprofit Wants To Use AI To Understand Animal Communication–And Two Billionaires Are Backing It
Phoebe Liuforbes.com
I love the idea of being able to speak with animals. I am suspicious of the billionaire motive here.
The Earth Species Project has largely run on donations from billionaires, in part thanks to its cofounders’ roots in Silicon Valley. Raskin met Hoffman when he was working at Mozilla designing Firefox and Hoffman was on the board. He first floated the idea of the Earth Species Project to Hoffman in 2015. Hoffman is “fascinated by the philosophical implications of what happens when it’s not just humans that have culture and have language, and what that means for the shift in the relationship between humanity and the rest of nature,” Raskin says.
Beyond the Link Tax: Journalism and the Changing Nature of the Internet
Philip Moscovitchhalifaxexaminer.caIf you degrade hyperlinks, and you degrade this idea of the internet as something that refers you to other things, you instead have this stationary internet where a generative AI agent will hoover up and summarize all the information that’s out there, and place it right in front of you so that you never have to leave the portal… That was a real epiphany to me, because the argument against one form of this legislation was, “My God, you’ll destroy this fundamental way of how the internet works.” I’m like, dude, these companies are already destroying the fundamental way of how the internet works.
“I can feel jealous of David Sedaris’s fame, I can feel like I’ll never get to that point, but I should ask myself: am I doing 15 or 20 full rewrite drafts of my essays? Am I pushing myself to search for a universal feeling, for a moment of poignancy, and for a laugh, all in the same piece? Am I doing what he did, in my own way? No, no, and no. I am not. If I did that, and then did it for 15 years before getting published, like he did, then maybe I would find out how close to David Sedaris (or my own equivalent) that I could get.”
"Fall in love with some activity, and do it!
Nobody ever figures out what life is all about, and it doesn't matter. Explore the world.
Nearly everything is really interesting if you go into it deeply enough. Work as hard and as much as you want to on the things you like to do the best.
Don't think about what you want to be, but what you want to do. Ke
... See moreAs John Lasseter likes to say, ‘our films don’t get finished, they just get released.’” – Pete Docter, Pixar (source)
TWN Issue 15: Embracing a "Fractal Bud" in Knowledge
Reminds me of how I knew when my stories are done: There are always still problems, but you reach a point where fixing them will only create new ones.
Wisdom cannot be imparted. Wisdom that a wise man attempts to impart always sounds like foolishness to someone else ... Knowledge can be communicated, but not wisdom. One can find it, live it, do wonders through it, but one cannot communicate and teach it.
― Hermann Hesse, Siddhartha
Don't waste your wildness + the 8 inner conflicts that shape who we are + a tender cosmic fable about the rhythms and consolations of friendship
Maria Popovanewsletters.feedbinusercontent.comA decade after Maya Angelou channeled the selfsame polarity of human nature in her staggering space-bound poem “A Brave and Startling Truth,” Griffiths writes:
There are two sides: the agents of waste and the lovers of the wild. Either for life or against it. And each of us has to choose.
and
Reclaiming our wildness emerges as an act of courage and resistance amid the conspicuous consumption by which late-stage capitalism drugs us into mistaking having for being, anesthetizing the urgency of our mortality — that wellspring of everything beautiful and enduring we make. What Griffiths offers is a wakeup call from this near-living, a spell against apathy, against air con and asphalt, against our self-expatriation from our own nature