mid culture
maybe here, we do have an aesthetic counter to the wallflower non-style of Big Tech: a raging messy semiotic meltdown of radicalizing (if absurdist) meme culture where the only ideological no-go zone is the liberal center. Key here is that most of this activity is happening under the guise of avatars, pseudonyms, and collectively run social media a
... See moreCaroline Busta • The Internet Didn’t Kill Counterculture—you Just Won’t Find It on Instagram
The fastest growing sector of the culture economy is distraction . Or call it scrolling or swiping or wasting time or whatever you want. But it’s not art or entertainment, just ceaseless activity.
The key is that each stimulus only lasts a few seconds, and must be repeated.
The key is that each stimulus only lasts a few seconds, and must be repeated.
Ted Gioia • The State of the Culture, 2024
In an era more profoundly organized by Big Tech than our own elected governments, the new culture to be countered isn’t singular or top-down. It’s rhizomatic, nonbinary, and includes all who live within the Google/Apple/Facebook/Amazon digital ecosystem (aka GAFA stack).
Caroline Busta • The Internet Didn’t Kill Counterculture—you Just Won’t Find It on Instagram
A truth specific to our time is that dissent against one level of authority is now very often driven by a deeper hegemonic force. Perhaps this is why, among many younger people (Greta Thunberg notwithstanding), there is less focus on battling current leaders and more interest in divining counter-futures
Caroline Busta • The Internet Didn’t Kill Counterculture—you Just Won’t Find It on Instagram
Until recently, the entertainment industry has been on a growth tear—so much so, that anything artsy or indie or alternative got squeezed as collateral damage.
Ted Gioia • The State of the Culture, 2024
Many creative people think these are the only options—both for them and their audience. Either they give the audience what it wants (the entertainer’s job) or else they put demands on the public (that’s where art begins).
Ted Gioia • The State of the Culture, 2024
“To be truly countercultural in a time of tech hegemony, one has to, above all, betray the platform which may come in the form of betraying or divesting from your public online self
Caroline Busta • The Internet Didn’t Kill Counterculture—you Just Won’t Find It on Instagram
Vigorously participatory curatorial subcultures certainly exist, but in practice, they require too much time and energy to have a broad appeal. People enjoy sharing their discoveries with friends, and they may at least occasionally rate and review items. But most people, most of the time, leave the hard work of curation to others — or to algorithm
... See moreROGERS BRUBAKER • Hyperconnected Culture and Its Discontents
Both share something that will define the future of our interaction with each other and machines. Algorithmic driven content, interfaces that shift from clicks and pages to a back and forth interactive volley with machines that do more and more to shape and surface deeply customized content, accomplish tasks, automate routines, and step us closer t
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