Irony

The reason why our pervasive cultural irony is at once so powerful and so unsatisfying is that an ironist is impossible to pin down.

The critic Roy Christopher has called irony “the most abused trope of our time, a ‘get out of judgment free’ card, an escape route, an exit strategy.”

I think we are trained, particularly on the left, to be critical of performance. And I feel we should be more honest in acknowledging that performance is crucial to politics. It doesn't mean it's the only factor––that policy or other factors don't matter. But it is a defining feature.

Not knowing and not being able to know is the meaning of irony today. Not saying or doing the opposite of what one means, but refusing to reveal whether or not one really means not to mean it.

Irony is a fancy word for saying “the opposite of that which is perceived.”

then how have irony, irreverence, and rebellion come to be not liberating but enfeebling in the culture today's avant-garde tries to write about? One clue's to be found in the fact that irony is still around, bigger than ever after thirty long years as the dominant mode of hip expression. It's not a mode that wears especially well. As Hyde puts it,

irony: the trope that derives its effect of appositiveness to the description of things by playing upon the relation of opposition.