slow productivity by cal newport

obsessing over quality often demands that you slow down, as the focus required to get better is simply not compatible with busyness.

When someone has invested in your project, you’ll experience amplified motivation to pay back their trust. This is true for investments of financial capital, as with Carpenter and Akkad. But it’s also true for investments of sweat equity, such as when a friend helps you build the sets for a theatrical production or spends an afternoon stuffing enve

Glass focuses on the gap that often exists between taste and ability—especially early on in a creative career. It’s easier to learn to recognize what’s good, he notes, than to master the skills required to meet this standard. I can see brilliance in the epic three-minute tracking shot that opens Paul Thomas Anderson’s Boogie Nights, but I would hav

When you gather with other people who share similar professional ambitions, the collective taste of the group can be superior to that of any individual. This follows, in part, from the diversity of approaches that people take toward creation in a given field. When you combine the opinions of multiple practitioners of your craft, more possibilities

When your output is only one step among many on a collaborative path toward creative progress, the pressure to get everything just right is reduced.

I urge you to consider radically transforming your professional life along the three principles I proposed. Do fewer things. Work at a natural pace. Obsess over quality.

Dedicating time or sacrificing money for a project are two obvious bets to push you toward higher-quality work. A natural third option is to leverage your social capital. If you announce your work in advance to people you know, you’ll have created expectations. If you fail to produce something notable, you’ll pay a social cost in terms of embarrass

there’s a reason why MFA programs are so common among successful writers: they provide an effective training regimen for literary taste.

In Bird by Bird, the novelist Anne Lamott elegantly captures this rhythm of creation. “You find yourself back at the desk, staring blankly at the pages you filled yesterday. And there on page four is a paragraph with all sorts of life in it, smells and sounds and voices and colors,” she writes. “You don’t care about those first three pages; those y