The design concept of 𝘗𝘰𝘵𝘦𝘯𝘵𝘪𝘢𝘭 𝘞𝘰𝘳𝘭𝘥𝘴 centers on circles, life/growth, organics, and urgency. I emphasized circles and organic shapes in the lettering to reflect growth and life, with the layout also echoing these themes. The dual cover symbolizes a cyclical relationship, inviting readers to start from either section. The loose, “growth-like” arrangement of the artists’ works evokes organic development and breathing space, reminiscent of DNA. I chose a font that conveys tightness, strangeness, and slight difficulty in reading to spark curiosity about the theme 🌏🌱🪸💥 Editorial and lettering project created in the first semester. Mentored by @marielusa at @ecalmatd #editorial #editorialdesign #bookdesign #graphicdesign #lettering #typedesign

Preview of www-instagram-com-p-c-h1pdc8hu

The design concept of 𝘗𝘰𝘵𝘦𝘯𝘵𝘪𝘢𝘭 𝘞𝘰𝘳𝘭𝘥𝘴 centers on circles, life/growth, organics, and urgency. I emphasized circles and organic shapes in the lettering to reflect growth and life, with the layout also echoing these themes. The dual cover symbolizes a cyclical relationship, inviting readers to start from either section. The loose, “growth-like” arrangement of the artists’ works evokes organic development and breathing space, reminiscent of DNA. I chose a font that conveys tightness, strangeness, and slight difficulty in reading to spark curiosity about the theme 🌏🌱🪸💥 Editorial and lettering project created in the first semester. Mentored by @marielusa at @ecalmatd #editorial #editorialdesign #bookdesign #graphicdesign #lettering #typedesign

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Edward Burtynsky’s Epic Landscapes

newyorker.com
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Designing for the last earth

Angelos Arnisjointfrontiers.com

Working With Rick Rubin on ‘The Creative Act: A Way of Being’

Pentagrampentagram.com
Thumbnail of Working With Rick Rubin on ‘The Creative Act: A Way of Being’

Jenna Wortham Black Futures

Tools for thought: science, design, art, craftsmanship?

Andy Matuschakandymatuschak.org
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