Writing Love: Screenwriting Tricks for Authors II: Story Structure for Pantsers and Plotters (Screenwriting Tricks For Authors (and Screenwriters!) Book 2)
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Writing Love: Screenwriting Tricks for Authors II: Story Structure for Pantsers and Plotters (Screenwriting Tricks For Authors (and Screenwriters!) Book 2)
· A defined protagonist · A powerful antagonist · A sense of the setting, conflict, and stakes · A sense of how the action will play out
Alexandra Sokoloff • Screenwriting Tricks for Authors (and Screenwriters!): STEALING HOLLYWOOD: Story Structure Secrets for Writing Your BEST Book
The Science of Storytelling: Why Stories Make Us Human, and How to Tell Them Better
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ACT THREE CLIMAX · Near the very end of the story. · Is the final battle. · Hero/ine is often forced to confront his or her greatest nightmare. · Takes place in a Thematic Location — a metaphorical Castle, often a visual and literal representation of the Hero/ine’s Greatest Nightmare (even if it’s a wedding gone bad!). · We see the protagonist’s ch
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