“Write a Sentence as Clean as a Bone” And Other Advice from James Baldwin

say? I was once reading an interview with James Baldwin, and he described a frustration he had with Langston Hughes. He said when Hughes told you about a lynching, it was too realistic. That Hughes sounded like his daddy. Baldwin preferred Countee Cullen. He wanted the art, the suggestiveness, the distance to make it possible to digest horror.

Americans, unhappily, have the most remarkable ability to alchemize all bitter truths into an innocuous but piquant confection and to transform their moral contradictions, or public discussion of such contradictions, into a proud decoration, such as are given for heroism on the field of battle.

I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually. I think all theories are suspect, that the finest principles may have to be modified, or may even be pulverized by the demands of life, and that one must find, therefore, one’s own moral center and move through

The failure of the protest novel lies in its rejection of life, the human being, the denial of his beauty, dread, power, in its insistence that it is his categorization alone which is real and which cannot be transcended.