- In Camp TV Quinlan Miller offers a new account of the history of American television that explains what campy meant in practical sitcom terms in shows as iconic as The Dick Van Dyke Show as well as in more obscure fare, such as The Ugliest Girl in Town. - Situating his analysis within the era's shifts in the television industry and the coalescenc... See more

“Just look at the return of indie sleaze,” she says. “This gauche aesthetic is a symptom of our cultural transition from taste to tastelessness. Where pre-pandemic style was defined by the careful curation of cool, young people are now pushing back against refinement by reclaiming the carelessness that comes with being chaotic, tacky and anarchic.”