Traditional Oil Painting

Artists learn “everything they can about the medium(s) with which they work … what they can expect from it and where it will fall short.”

Hockney’s telling point is that it is not enough merely to look at a work: if an artist wants to learn from it, they need to make their own record of it, and in doing so, come to fathom it better. This is how art lives and grows.

“The first intention of the painter,” Leonardo later wrote, “is to make a flat surface display a body as if modeled and separated from this plane, and he who surpasses others in this skill deserves most praise. This accomplishment, with which the science of painting is crowned, arises from light and shade, or we may say chiaroscuro.”30 That stateme