Saved by Lael Johnson and
Starting Point: 1979-1996
TO UNDERSTAND WHAT the Braintrust does and why it is so central to Pixar, you have to start with a basic truth: People who take on complicated creative projects become lost at some point in the process. It is the nature of things—in order to create, you must internalize and almost become the project for a while, and that near-fusing with the projec
... See moreEd Catmull • Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration
If a filmmaker (who writes) can get through those 120 or so pages, the fun part begins. Actually, every stage of filmmaking is full of torment and endless setbacks, but you’re no longer alone. The truth is, I’m never as happy as when I’m making a film, not so much because I'm actively enjoying it; the unrelenting stress, the prospect of failure, th... See more
Divine Thing: A Note from Aaron Schimberg
NAKAMURA: That is one of the points at issue. Behind the reason nature was preserved in the past was a certain sense of aesthetics, which was supported in major or minor ways by a sense of religion. Today, we live in an irreligious manner, so we have separated aesthetics from religion. This has weakened the status of beauty in our time.
Hayao Miyazaki • Turning Point: 1997-2008
As he films Seattle, transforming it into "Rain City," Rudolph is faced with the same decision: is he a realist or an expressionist, inventing the world or recording it? The moral and the aesthetic questions merge, as they must on the higher levels of art.