was still performing at the Lyric and about six weeks before the end of the run I had what should have been a wonderful experience. One night I did, as near as dammit, a perfect show. I

In 1979, struggling to write a script for a weeklong series on “Going to School,” he wrote in a note to himself: “Am I kidding myself that I’m able to write a script again? Am I really just whistling Dixie? I wonder. Why don’t I trust myself? Really that’s what it’s all about . . . that and not wanting to go through the agony of creation. AFTER ALL

All these thoughts, all these ideas, coalesced into what may have been our most consistent record since Things Fall Apart. It was so unified in its message, in fact, that one of the songs we thought would be the lead single, a track called “Birthday Girl” with Patrick Stump as a guest vocalist, had to be taken off the record. It was a topical song,