Powerhouse: The Untold Story of Hollywood's Creative Artists Agency
11 laws of showrunning
The Eleven Laws of Showrunning by Javier Grillo-Marxuach provide advice and insights for effectively managing a television show, from fostering a creative environment to delegating responsibility and sharing credit.
okbjgm.weebly.comthe Byzantine management atmosphere at first Rexall and then Hughes Aircraft had convinced me that the only real security lies in having your own business, and this left-hander was well ahead of the curve on that one. Also, I was convinced that I was on a holy mission in preserving a company owned significantly by its employees. My
Patty Civalleri • Becoming Trader Joe: How I Did Business My Way and Still Beat the Big Guys
Because I'm going to have the hottest new songs. The problem is the consumer wants more than that. They want the old stuff to. So all of a sudden the power in that relationship moves from the distributor who can create new content and also has the consumer relationship to who owns the IP that the consumer wants, the IP that consumer wants a lot of ... See more
Colossus • Universal Music Group: The Gatekeepers of Music
When we started, we wanted to build a company that we would like to work at and we kept applying that criterion. I remember, when we first hired people in the original days, John and I would take turns hand-delivering a dozen roses to the spouse if it was woman, a bottle of cognac if the spouse was a man, and then champagne to the employee. We did
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