Powerhouse: The Untold Story of Hollywood's Creative Artists Agency
Ovitz’s breakthrough idea was to build an integrated network that would allow any of the firm’s agents to connect their clients to a firm-wide grid of new opportunities. As a result, the firm would be a hundred times more powerful than any one agent at any other agency. To implement the idea, Ovitz and his founding partners agreed to defer their sa
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11 laws of showrunning
The Eleven Laws of Showrunning by Javier Grillo-Marxuach provide advice and insights for effectively managing a television show, from fostering a creative environment to delegating responsibility and sharing credit.
okbjgm.weebly.comAnd so what you've ended up with, not surprisingly, is a few key players that happen to own the majority of the IP that is kind of a must have in this industry to have a product offering and a handful of distributors that have gotten scale on distribution of great user experiences like a Spotify, Amazon, a YouTube, whoever you might want to think a... See more
Colossus • Universal Music Group: The Gatekeepers of Music
Beyond Agency - You don’t start a relationship with any overt big promises made or asking for anything first. Ergo you have no "bosses". You feel very in control of the client relationship. You spend a lot of your time figuring out how to add value to their customers. You don't feel the need to make reports, proposals, or have meetings th
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