Saved by Keely Adler
My Grandmother Glitches the Machine
If what emerges from such efforts comes, as Rose puts it, “from regions beyond your control,” then at what point does the finished product transcend your wishes? At what point do you, the creator, lose control?
Meghan O'Gieblyn • God, Human, Animal, Machine: Technology, Metaphor, and the Search for Meaning
The entire postmodern sensibility, the feeling that we had somehow broken into an unprecedented new historical period where we understood that there was nothing new; that grand historical narratives of progress and liberation were meaningless; that everything now was simulation, ironic repetition, fragmentation and pastiche: all this only makes sen
... See moreDavid Graeber • The Utopia of Rules: On Technology, Stupidity, and the Secret Joys of Bureaucracy
Why We Want Robots at Work but Humans in Art
We hate other people when latency becomes intolerable. As soon as a task is about speed, other humans feel like an irritating inconvenience. The Uber driver’s small talk annoys us. We wish we were in a Waymo. The cashier’s tip screen feels like a micro-ransom when all we want is a bottle of water. Elevato... See more
We hate other people when latency becomes intolerable. As soon as a task is about speed, other humans feel like an irritating inconvenience. The Uber driver’s small talk annoys us. We wish we were in a Waymo. The cashier’s tip screen feels like a micro-ransom when all we want is a bottle of water. Elevato... See more
Why We Want Robots at Work but Humans in Art
That aspect of art that really did fuse with the everyday becomes almost indistinguishable from neurotic symptoms: Interest cycles through irritating obsessions and boredom; cuteness reeks of manipulation that provokes phobias and disgust; zaniness performs hysteria or mania. Everyday art is the kipple of once-great genre tropes: cuteness is the pa
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