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Music Critics Converge
Music has no purpose, it merely brings together people’s dreams, fragilities, licentiousness and weirdness. It can bring masses of people together through that. As much as those in the underground find each other, so do the Swifties and The ARMY. Scale, here, doesn’t stop the human capacity of bonding through music and the exchange of identity.
Maarten Walraven • ✘ The Illusion of an idea - a scaled-down music industry
4. Ever wonder about the vast universe of critically acclaimed aesthetic masterworks, most of which you do not really fathom? If you dismiss them, and mistrust the critics, odds are that you are wrong and they are right. You do not have the context to appreciate those works. That is fine, but no reason to dismiss that which you do not understand. T... See more
Tyler Cowen • “Context is that which is scarce”
Criticism is a serious intellectual act. It tries to evaluate serious works of art and to place them in the context of what has been done before in that medium or by that artist. This doesn’t mean that critics must limit themselves to work that aims high; they may select some commercial product like Law & Order to make a point about American so
... See moreWilliam Zinsser • On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction
It's not only UK dance music of the Nineties that is associated with cities; the whole history of popular music is about urban scenes. It's no accident that Motown started in Detroit, house in Chicago, hip-hop in New York… Cities are pressure cookers which can synthesise influences
quickly and in a way that is both collective and idiosyncratic. Scen
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