Martin Scorsese: “I Have to Find Out Who the Hell I Am”
Gus Van Sant wanted to option Infinite Jest.
D. T. Max • Every Love Story Is a Ghost Story: A Life of David Foster Wallace
Yet the two versions seemed to be fundamentally different movies. In the first version I saw, much of the discussion explored the way that pop musicians such as Eno and many of his collaborators — like David Bowie and Talking Heads — create and project an identity when they perform, making that persona part of their medium. In essence, it became a ... See more
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the very grammar of cinema
Martin Scorsese: “I Have To Find Out Who The Hell I Am.”
Il aimait me parler de Scorsese, Cimino, Mankiewicz, Coppola et du deuxième film de Malick, Les Moissons du ciel. Il me racontait comment ce dernier, étudiant à Harvard et Oxford, à la suite d’une simple dispute avec ses maîtres, avait refusé de soutenir sa thèse savamment étayée sur les conceptions du monde de Kierkegaard, Heidegger et Wittgenstei
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