Who’s going to bother with all the work it takes to make a track successful on streaming services, if you can net more revenue faster through much more pleasant dynamics on your own terms?

He foresaw the strategy of testing on new releases consumers before added money is spent to ensure that it isn’t wasted. In short, the new release business was to become like an independent label. Publishing and recorded music A&R should be combined to ensure that all recorded music releases had a combined publishing deal and that you can captu... See more

According to Goldberg, the record company needed to act like a music publisher for new releases- putting up very little money but not trying to hold artists for long contract periods or to keep as much of the revenue. Advances would be $50k with a 40% revenue share after the advance. Losses in new releases are generally driven by expensive fixed he... See more

Streaming was really revolutionary and wonderful for a lot of people, but it was really devastating for a lot of other people because everything had to have the same economic logic as pop music.

And a lot of experimental music doesn’t follow that per play valuation logic. A lot of experimental music is about the idea, and you just need access to tha... See more