I Cannot - The Paris Review

then how have irony, irreverence, and rebellion come to be not liberating but enfeebling in the culture today's avant-garde tries to write about? One clue's to be found in the fact that irony is still around, bigger than ever after thirty long years as the dominant mode of hip expression. It's not a mode that wears especially well. As Hyde puts it,

It is this slackening that thinkers like Jodi Dean, Slavoj Žižek, Mark Andrejevic, Byung-Chul Han and others have warned of as a decline of the symbolic: a malfunctioning of socially sanctioned language, a sagging of meaning and norms.

in writing, I feel a strange euphoria… there are so many ways to say nothing.

rien. It is also a characteristic of such writers to avoid, if it is possible, expressing themselves definitely, so that they may be always able in case of need to get out of a difficulty; this is why they always choose the more abstract expressions: while people of intellect choose the more concrete; because the latter bring the matter closer to v