How Much Do We Need to Read to Have a Chance to Be Good?
From George Saunders, on nuance and embracing complexity:
... See morethe writer doesn't have to have a fixed firm idea, but has to be able to take the reader on a journey to remind her that the world is complicated. From the very beginning, I understood writing to be about some kind of moral or ethical imperative. Absent that, I'm not that interested in it, ac
I’ll sometimes ask the workshop to come up with what I call the “Hollywood version” of the story—a pithy one- or two-sentence summary. It’s no good to start making suggestions about a story until we’ve agreed on what it’s trying to do. (If a complicated machine showed up in your yard, you wouldn’t start altering it and “improving” it until you had
... See moreGeorge Saunders • A Swim in a Pond in the Rain: From the Man Booker Prize-winning, New York Times-bestselling author of Lincoln in the Bardo
So much of getting good at anything is just pure labor: figuring out how to try and then offering up the hours...
...Pleople always assume I'm interested in the end result-the wonderful thing they've made-when what I'm really interested in is the process. How did you get this way and why? I'm curious about the ugliness of trying, the years and years... See more
...Pleople always assume I'm interested in the end result-the wonderful thing they've made-when what I'm really interested in is the process. How did you get this way and why? I'm curious about the ugliness of trying, the years and years... See more
how to change your life, part 2: agnes callard's aspiration
We’re always rationally explaining and articulating things. But we’re at our most intelligent in the moment just before we start to explain or articulate. Great art occurs—or doesn’t—in that instant. What we turn to art for is precisely this moment, when we “know” something (we feel it) but can’t articulate it because it’s too complex and multiple.
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