“Everything I Do Has the Smell of Digital”: Lorna Mills on Her Art
This, too, is a form of algorithmic anxiety: the feeling that, when such a human endeavor as making culture is so automated, authenticity becomes impossible.
Kyle Chayka • Filterworld
she doesn’t identify as firmly anti-AI and can’t say artificial intelligence will never make its way into her artwork. AI-generated images as they currently stand, however, don’t impress her.
“They all kind of look greasy to me, like they’ve been dipped in oil,” she said. “People will get tired of seeing shiny images.”
“They all kind of look greasy to me, like they’ve been dipped in oil,” she said. “People will get tired of seeing shiny images.”
Leslie Katz • ‘Human Intelligence’ Art Movement Takes Defiant Stand Against AI
AI and the Junk Food Art Experience (Best viewed on mobile screens/social media to enhance the doom scrolling experience). Also — artist as content creator.
“The model is the art work,”
Anna Wiener • Holly Herndon’s Infinite Art
this remains one of my favorite pieces of internet cultural criticism https://t.co/722WCUehm6
In her essay,
A Vernacular Web
(2005), Olia Lialina describes the web of the mid-1990s as:
A Vernacular Web
(2005), Olia Lialina describes the web of the mid-1990s as:
bright, rich, personal, slow and under construction. It was a web of sudden connections and personal links. Pages were built on the edge of tomorrow, full of hope for a faster connection and a more powerful computer... it was a web of amateurs soon to be washe... See more