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new roles for museums and galleries, suggesting how they could showcase alternative futures just as they tell us about our past.

I was in DC on the day that the National Museum of African American History and Culture opened, but I didn’t have a ticket to attend. I still felt the buzz. The building itself holds a symbolic weight. It had two architects: Philip Freelon, now deceased, one of the most prominent African American architects of the twentieth century, and David Adjay