Content (The MIT Press Essential Knowledge series)
We no longer lack tools for creating content. When content production and distribution is infinite, the important aspect is its primary function in crafting and proliferating culture*.* In other words, the value of content today comes primarily from its use in cultural production.
Luxury Media
Eichhorn uses the potent term “content capital”—a riff on Pierre Bourdieu’s “cultural capital”—to describe the way in which a fluency in posting online can determine the success, or even the existence, of an artist’s work.
“Cultural producers who, in the past, may have focused on writing books or producing films or making art must now also spend con... See more
“Cultural producers who, in the past, may have focused on writing books or producing films or making art must now also spend con... See more
Kyle Chayka • How the Internet Turned Us Into Content Machines
Content has become like clay. LLMs can remix it, summarize it, elaborate on it, hallucinate it, combine it with other content, freely transform it between text, audio, image, and back again. It seems we have achieved a kind of information post-scarcity. A regime of radical overproduction. A content singularity. How will this change things?
Gordon Brander • LLMs and information post-scarcity
