archive.ph

By continuing to pursue these lines of thought, we develop new ways of framing our interactions with the dead online, and may find pathways for breaking our calcified archival imaginaries and reimagine new ways of living with the data bodies we construct, inhabit, and inherit.

Arranging things end to end like this is the first step when you edit a film. In cinema jargon this first version is called the assembly cut, and nobody in their right mind can believe it’ll result in something watchable – or readable if it’s a book. And then, once you’ve overcome the urge to toss the whole thing out, you get down to work, you asse

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