
A Field Guide to Getting Lost

(nomads, contrary to current popular imagination, have fixed circuits and stable relationships to places; they are far from being the drifters and dharma bums that the word nomad often connotes nowadays).
Rebecca Solnit • A Field Guide to Getting Lost
Nobody gets over anything; time doesn’t heal any wounds; if he stopped loving her today, as one of George Jones’s most famous songs has it, it’s because he’s dead. The landscape in which identity is supposed to be grounded is not solid stuff; it’s made out of memory and desire, rather than rock and soil, as are the songs.
Rebecca Solnit • A Field Guide to Getting Lost
Desire for them is in part a desire for a noble destiny, and beauty can seem like a door to meaning as well as to pleasure. And yet such people are often nothing extraordinary except in their effect on others.
Rebecca Solnit • A Field Guide to Getting Lost
It was as though the whole world consisted of the tiny close-up realm of these creatures and the vast distances of heaven, as though my own scale had been eliminated along with the middle ground, and this too is one of the austere luxuries of the desert.
Rebecca Solnit • A Field Guide to Getting Lost
How do you calculate upon the unforeseen?
Rebecca Solnit • A Field Guide to Getting Lost
the small industries of the inner cities were being replaced by artists and the smooth affluence that sometimes follows and imitates artists.
Rebecca Solnit • A Field Guide to Getting Lost
Even the internal clock of adolescents changes, making them nocturnal creatures for at least a few years. All through childhood you grow toward life and then in adolescence, at the height of life, you begin to grow toward death.
Rebecca Solnit • A Field Guide to Getting Lost
No, the process of transformation consists almost entirely of decay.” But the butterfly is so fit an emblem of the human soul that its name in Greek is psyche, the word for soul. We have not much language to appreciate this phase of decay, this withdrawal, this era of ending that must precede beginning.
Rebecca Solnit • A Field Guide to Getting Lost
You invent this story of how your destinies were made to entwine like porch vines, you adjust to a big view in this direction and no view in that, the doorway that you have to duck through and the window that is jammed, how who you think you are becomes a factor of who you think he is and who he thinks you are, a castle in the clouds made out of th
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