
A Field Guide to Getting Lost

It was as though the whole world consisted of the tiny close-up realm of these creatures and the vast distances of heaven, as though my own scale had been eliminated along with the middle ground, and this too is one of the austere luxuries of the desert.
Rebecca Solnit • A Field Guide to Getting Lost
Over time the story or the memory loses its power. Over time you become someone else. Only when the honey turns to dust are you free. I went away for the summer, back to the desert I had been headed for when I detoured his way the evening of the kangaroo mouse, all those years before. Heartbreak is a little like falling in love, in the way it charg
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The process of transformation consists mostly of decay and then of this crisis when emergence from what came before must be total and abrupt.
Rebecca Solnit • A Field Guide to Getting Lost
You invent this story of how your destinies were made to entwine like porch vines, you adjust to a big view in this direction and no view in that, the doorway that you have to duck through and the window that is jammed, how who you think you are becomes a factor of who you think he is and who he thinks you are, a castle in the clouds made out of th
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It seems to be an art of recognizing the role of the unforeseen, of keeping your balance amid surprises, of collaborating with chance, of recognizing that there are some essential mysteries in the world and thereby a limit to calculation, to plan, to control.
Rebecca Solnit • A Field Guide to Getting Lost
Beneath it is all dark, it is all spreading, it is unfathomably deep; but now and again we rise to the surface and that is what you see us by. Her horizon seemed to her limitless.”
Rebecca Solnit • A Field Guide to Getting Lost
A city is built to resemble a conscious mind, a network that can calculate, administrate, manufacture. Ruins become the unconscious of a city, its memory, unknown, darkness, lost lands, and in this truly bring it to life.
Rebecca Solnit • A Field Guide to Getting Lost
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can neve
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In Benjamin’s terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery.