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—The music was also particularly good in this film. Miyazaki: I had absolutely no involvement with the music at all. I even joked at one point that maybe we didn’t need any music in the film [laughs], but we couldn’t get away with that. So I left everything regarding music up to Takahata-san, because he knows much more about it. Jo Hisaishi had als
... See moreHayao Miyazaki • Starting Point: 1979-1996
Never-Ending Man: Hayao Miyazaki - Documentary
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When the editors of Animage encouraged me to create a manga, I got all excited and, as fate would have it, decided to create my own version of Nausicaä. I am now forced to reflect yet again on why, years ago, I once gave up drawing manga because I felt I lacked talent. At this point, I hope that I can somehow bring this young heroine into a world o
... See moreHayao Miyazaki • Starting Point: 1979-1996
Studio Ghibli
Some people also suffer from the misconception that Isao Takahata-san and I are both some sort of environmentalists, and that we will make a film out of anything as long as it has an ecological theme or message. Nothing could be further from the truth. Such a film would be like a big fat dried-up log, propped upright. What we need is a living thing
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