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The most important sentence in any article is the first one. If it doesn’t induce the reader to proceed to the second sentence, your article is dead. And if the second sentence doesn’t induce him to continue to the third sentence, it’s equally dead. Of such a progression of sentences, each tugging the reader forward until he is hooked, a writer con
... See moreWilliam Zinsser • On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction
Few people realize how badly they write. Nobody has shown them how much excess or murkiness has crept into their style and how it obstructs what they are trying to say. If you give me an eight-page article and I tell you to cut it to four pages, you’ll howl and say it can’t be done. Then you’ll go home and do it, and it will be much better. After t
... See moreWilliam Zinsser • On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction
The most important sentence in any article is the first one. If it doesn’t induce the reader to proceed to the second sentence, your article is dead.
William Zinsser • On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction
Rhetoric
Collin G Brooke • 5 cards
Writing improves in direct ratio to the number of things we can keep out of it that shouldn’t be there. “Up” in “free up” shouldn’t be there. Examine every word you put on paper. You’ll find a surprising number that don’t serve any purpose.
William Zinsser • On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction
- Form the possessive singular of nouns by adding 's.
William Strunk JR. and E.B. White • The Elements of Style, Fourth Edition
When the main clause of a sentence is preceded by a phrase or a subordinate clause, use a comma to set off these elements.
William Strunk JR. and E.B. White • The Elements of Style, Fourth Edition
Bill Walsh (who I’ve described exclusively as my personal hero since first picking up a copy of his essential text The Elephants of Style: A Trunkload of Tips on the Big Issues and Gray Areas of Contemporary American English