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It Was the Best of Sentences, It Was the Worst of Sentences: A Writer's Guide to Crafting Killer Sentences
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William Zinsser • On Writing Well: The Classic Guide to Writing Nonfiction
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MargaretC • 1 card
Always use “that” unless it makes your meaning ambiguous. Notice that in carefully edited magazines, such as The New Yorker,
William Zinsser • On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction
Most first drafts can be cut by 50 percent without losing any information or losing the author’s voice.
William Zinsser • On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction
Ben Hickey • Is It Harris’ or Harris’s? Add a Walz, and It’s Even Trickier.
As for the area where our Usage Panel was conservative, we upheld most of the classic distinctions in grammar—“can” and “may,” “fewer” and “less,” “eldest” and “oldest,” etc.—and decried the classic errors, insisting that “flout” still doesn’t mean “flaunt,” no matter how many writers flaunt their ignorance by flouting the rule, and that “fortuitou
... See moreWilliam Zinsser • On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction
William Zinsser • On Writing Well: The Classic Guide to Writing Nonfiction
But the secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long word that could be a short word, every adverb that carries the same meaning that’s already in the verb, every passive construction that leaves the reader unsure of who is doing what—these are the thousand and one adul
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