Sublime

Each time, I’ve marveled at the logic and ease and length (181 words) of the sentence, the hard clausal steps that slowly mount (or is it descend?) to a grammatically wrong-footing conclusion—the dash’s flat fall where we might have expected a “then…” or “so…” I have wondered about the oddity of Woolf’s metaphors—the sentence is mostly made of meta

Dentro do mundo limitado que tem na cabeça, ele a coisificou

It had once or twice crossed his mind that possibly there was some deficiency in Dorothea to account for the moderation of his abandonment; but he was unable to discern the deficiency, or to figure to himself a woman who would have pleased him better;

The story we are told of women is not this one. The story of women is the story of love, of foundering into another. A slight deviation: longing to founder and being unable to. Being left alone in the foundering, and taking things into one’s own hands: rat poison, the wheels of a Russian train. Even the smoother and gentler story is still just a mo

So what would a prose literature devoted to illness sound like? Perhaps it could only exist in the form of the essay, of which genre Woolf’s opening sentence is both an elegant part-for-whole and a less than obvious parody.