Sublime

wrote about Scott, for example, but I gave him a cover name: Julian [in “The Snows of Kilimanjaro”].

of

Scott Saul writes that “when Coltrane … reduced ‘Tunisa’ to its basics, he did so not to claim a higher originality but to reveal an even more direct and powerful drama of energy within the original piece, a charismatic drama that had been hidden by the earlier scaffold of sophistication…. Coltrane dug into ‘Tunisa’ to rewrite a song of spiritual d

Oma taumano Marathon

hot stageside leads.

Meeting the man himself, it is hard to believe that such a quiet, calm, and serious individual could be responsible for the frantic ‘sheets of sound’ which emanate from his tenor saxophone, or that such [a] sensitive person could think of his uglier wailings on soprano as beautiful.”

everyone around the Saint Paul levees came to know “Jim” Hill, his name usually rendered as one word, “Jimhill,” a man who always seemed up on anything and everything that went on.