Sublime

In the 1830s, “pamphlets” were popular and used to spread ideas and news and gossip, since they were more ephemeral than books, but they also became irrelevant much faster.

Times are changing for writers. There’s been a recent wave who’ve stopped contributing to outlets and moved to newsletters like this, such as myself. To give some insight into what’s happening, the following is a postmortem of my decade-long career writing nonfiction for well-known media outlets like The Atlantic or The Daily Beast. 

tout lecteur est un homme d’autrefois, d’avant les écrans, en ces temps du péché originel, de la messe du dimanche, du dos courbé, des moissons, des fêtes de village. Plutôt l’odeur du purin que la fadeur des écrans tactiles ! Il hait dorénavant, d’une haine inexorable, son époque. Il en est aussi séparé que ce vieillard idiot. Haïr son époque est

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In this frivolous new world, everything must be pleasing and inoffensive. Everything and everybody gets marketed like an exciting new product—even old, creepy politicians, or ancient film actors, or 80-year-old rock stars.

They all get repackaged and rebranded—thank the digital gods for those apps that make old stuff look new! Everything is now eas... See more

Watching this from inside the media, I’ve experienced two contradicting feelings. First is a kind of powerlessness from working in an industry with waning influence amid shifting consumption patterns. The second is the notion that the craft, rigor, and mission of traditional journalism matter more than ever.

Nora Ephron, “The Best Journalism Teacher I Ever Had,” Northwest Scholastic Press, June 18, 2013, www.nwscholasticpress.org/2013/06/18/the-best-journalism-teacher-i-ever-had/#sthash.ZFtUBv50.dpbs; also written about by Ephron in her essay “Getting to the Point,” in Those Who Can … Teach! Celebrating Teachers Who Make a Difference, by Lorraine Glenn

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It is the one great weakness of journalism as a picture of our modern existence, that it must be a picture made up entirely of exceptions. We announce on flaring posters that a man has fallen off a scaffolding. We do not announce on flaring posters that a man has not fallen off a scaffolding. Yet this latter fact is fundamentally more exciting, as

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