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Teller Jim Steinmeyer • Hiding the Elephant: How Magicians Invented the Impossible and Learned to Disappear
This book is about how it feels to be a magician-no dainty Robertson Davies concoction, but a man with saw cuts and rope burns on his hands and a fire in his soul for the devious art of putting the impossible on a stage.
Teller Jim Steinmeyer • Hiding the Elephant: How Magicians Invented the Impossible and Learned to Disappear
In his book Tricks of the Mind, legendary British magician Derren Brown dissects a simple coin illusion based on the justification principle.
Ian Frisch • Magic Is Dead: My Journey into the World's Most Secretive Society of Magicians
Houdini soon became magic’s most recognizable figure—and one of the most egotistical. He publicly boasted that no magician could fool him if he saw the effect three times. Many magicians tried and failed to best the king of their craft. That all changed in 1919, when a young man approached Houdini and asked to show him a card trick. He had Houdini
... See moreIan Frisch • Magic Is Dead: My Journey into the World's Most Secretive Society of Magicians
Some highlights have been hidden or truncated due to export limits.
Teller Jim Steinmeyer • Hiding the Elephant: How Magicians Invented the Impossible and Learned to Disappear
Some highlights have been hidden or truncated due to export limits.
Teller Jim Steinmeyer • Hiding the Elephant: How Magicians Invented the Impossible and Learned to Disappear
Over a hundred years before Robert-Houdin appeared on a stage, magicians had exhibited automaton trees that, through a combination of clockworks, compressed air, or pull-strings, gave the impression of blooming flowers or growing fruit. For hundreds of years magicians had offered sleight of hand with eggs or lemons, or destroyed a borrowed handkerc
... See moreTeller Jim Steinmeyer • Hiding the Elephant: How Magicians Invented the Impossible and Learned to Disappear
“the king of gamblers,” Nick the Greek.
Derek DelGaudio • AMORALMAN: A True Story and Other Lies
The performer will invariably dance around dishonesty rather than embrace it, indulging in a series of tiny untruths, not big lies.