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According to Goldberg, the record company needed to act like a music publisher for new releases- putting up very little money but not trying to hold artists for long contract periods or to keep as much of the revenue. Advances would be $50k with a 40% revenue share after the advance. Losses in new releases are generally driven by expensive fixed he... See more
Sriram Krishnan • Dave Goldberg on music Music
Six-Chart Sunday (#18): Old Guys Rule
brucemehlman.substack.com
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Michael Lewis • Going Infinite: The Rise and Fall of a New Tycoon
The legacy companies (Disney, NBCU, Paramount, WBD, Fox) are stuck in a purgatorial period between media systems, trying to wring out the massive but rapidly declining profits of the linear age while transitioning to the sports streaming era. It’s like that puzzle in Die Hard with a Vengeance where Bruce Willis and Sam Jackson must move exactly the... See more
How Netflix Wins the Sports Media Bidding Wars Without Participating
What's driven the growth of this industry for the last five to 10 years is this emergence of streaming. We just talked about how it's more than half the business today. It was single digit seven years ago and so that's just been rapid. All of the growth of the value of streaming has basically come from a few developed markets, historic markets that... See more
Colossus • Universal Music Group: The Gatekeepers of Music
Drake Star Global Gaming Report | Q3 2022
drakestar.comon the pulse of pop culture
Alex Burns • 49 cards
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Michael Lewis • Going Infinite: The Rise and Fall of a New Tycoon
objective. In the next chapter, we will look into her unique fan philosophy of focusing most of her efforts on a very small part of her fan base—the One Percenters.