Sublime

With an opener by Graham Greene (‘One never knows when the blow may fall’ – The Third Man) or Robert Harris (‘The moment I heard how McAra died I should have walked away’ – The Ghost) there is reassurance that we are going to enjoy clear, smooth, swift writing

The screenwriter Craig Mazin, creator of the award-winning TV series Chernobyl, is big on the Hegelian dialectic. He talks about it as a way of approaching writing: ‘constant changing. Every scene begins with a truth, something happens inside of that scene. There is a new truth at the end and you begin, and you begin, and you begin.’