Sublime
An inspiration engine for ideas
Rules of Production: 1. Safety to people 2. Safety to property 3. Make a good film!
Jeffrey W. Sass • Everything I Know about Business and Marketing, I Learned from THE TOXIC AVENGER: (One Man's Journey to Hell's Kitchen and Back)
Aristotle teaches us to think of ACTION as the IDEA of a story. In fact, he says that action is more important than people; that is, characters. Aristotle is fanatical about the need for our stories to be about action, about action that is larger than life itself and greater than the persons who partake in it.
Michael Tierno • Aristotle's Poetics for Screenwriters: Storytelling Secrets from the Greatest Mind in Western Civilization
research of memory, research of imagination, research of fact.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Dialogue doesn’t require complete sentences.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
interior life a novel must be reinvented for the screen.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Or: What’s the best possible thing that could happen to my protagonist? How could it become the worst possible thing?
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
principals must be written in depth—they cannot be at heart what they seem to be at face.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Seek a design that expresses the spirit of the original yet stays within the rhythms of a film,
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Remember: 31-33 pages for Act One is acceptable, but a perfect 30-page Act One is golden. Readers will love you.