Sublime

Jimmy Van Heusen was a decadent womanizer, an Olympian boozer, a war hero, a daredevil pilot, and one of America’s best songwriters. Bogart may have been Sinatra’s role model for style, but for lifestyle, it was Van Heusen “All the Way,” the Oscar-winning song Van Heusen wrote with his lyricist Sammy Cahn. Sinatra called Van Heusen “Chester,” after

Perhaps you allude to one by the name of Carwin. I will anticipate your curiosity by saying, that since these disasters, no one has seen or heard of him. His agency is, therefore, a mystery still unsolved."

“Blame It on the Boogie” is confusing, because it’s a cover of a song by Mick Jackson, an English singer whose real name was also Michael Jackson. He had a version of the song out at the same time, and British newspapers and radio stations took sides: some of them liked the Jackson version, while others liked the Jacksons’ version.

In John Carey’s brilliant book What Good are the Arts?, he demolishes, one by one, all the lessons and rules and theories that people have applied to culture and its significance – their attempts to ‘prove’, through science or logic or philosophy, that great art does this to you, and is better than not-great art because it has that. Ostensibly clev

Musical Mob’s ‘Pulse X’ and ‘Believe Me’ by DJ Wire (which came along a bit later) – those were the