Sublime

Ichigyo mono wall hangings containing zengo are the most revered of all the items on display in the tokonoma or alcove of a tea room.

respected Tanchiu Koji Terayama, director of Hitsu Zendo. The English translation of his book’s title is Zen and the Art of Calligraphy (transl. by John Stevens; Penguin Group, 1983).

Rikyu took the baton of artlessness from his predecessor, Ikkyu, when he introduced Korean craft pottery into his tea ceremony. The Korean potters, who might have made a hundred similar pots in a day, were probably totally devoid of any thought of artistic aspirations as they worked, and it was just this lack of intellect that proved so attractive

Some people also suffer from the misconception that Isao Takahata-san and I are both some sort of environmentalists, and that we will make a film out of anything as long as it has an ecological theme or message. Nothing could be further from the truth. Such a film would be like a big fat dried-up log, propped upright. What we need is a living thing

In shodo it is considered sacrilege to go back and touch up the work. Any adjustment or touch-up would be apparent, and would interrupt the ki, and therefore the created work wouldn’t be an honest representation of the artist’s energy and personality.