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なにもできないからプロデューサーになった | ほぼ日刊イトイ新聞
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But let’s return now to the more specific subject of Japanese anime. Japanese anime is the result of creating animation based on original Japanese manga stories, of appropriating manga character designs, and absorbing the power of manga; it generally has involved assembling production staffs of young men and women who are aspiring manga artists. Th
... See moreHayao Miyazaki • Starting Point: 1979-1996
When the editors of Animage encouraged me to create a manga, I got all excited and, as fate would have it, decided to create my own version of Nausicaä. I am now forced to reflect yet again on why, years ago, I once gave up drawing manga because I felt I lacked talent. At this point, I hope that I can somehow bring this young heroine into a world o
... See moreHayao Miyazaki • Starting Point: 1979-1996

My personal dilemma over this has become increasingly pointed. I’ve turned my back on the flood of visual material being produced, but I’m struggling desperately in the hope of creating something a little better. In order to do so, I’ve even had to rationalize the art of navigating this world. I tell people I hate professionals, but I know that in
... See moreHayao Miyazaki • Starting Point: 1979-1996
—The music was also particularly good in this film. Miyazaki: I had absolutely no involvement with the music at all. I even joked at one point that maybe we didn’t need any music in the film [laughs], but we couldn’t get away with that. So I left everything regarding music up to Takahata-san, because he knows much more about it. Jo Hisaishi had als
... See moreHayao Miyazaki • Starting Point: 1979-1996
As I developed into a youth and young adult, I came to realize that I shouldn’t be just a good kid, that I should look at things with my own eyes and have independent ideas. This led me to attempt to turn my back on even my fundamental purity as a child and, combined with the dark time of studying for entrance exams, I came to draw nihilistic gekig
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