Sublime

Jamesonian view of capitalism’s

“Datsun or nothing,” D.L. iterates to the two, and Mark Nechtr grits his teeth, producing a fine tight smile. D.L. is seen only in Datsuns. It’s a neurosis, for sure, but one so powerful as to dictate acquiescence in many amusing instances we haven’t time for.

One of the agencies the package went to was Frederick Hill Associates in San Francisco, where Bonnie Nadell, a new associate who had worked in the subsidiary rights department at Simon & Schuster when Less Than Zero was published,

handsome in a generic way—wore