Sublime
An inspiration engine for ideas
Tillie Olsen wrote: “In the twenty years I bore and reared my children . . . the simplest circumstances for creation did not exist.” It was a physical problem, a time problem; it was also a question of selfhood. “The obligation to be physically attractive and patient and nurturing and docile and sensitive and deferential . . . contradicts and must
... See moreJulie Phillips • The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem
Emily Campbell
@emilycampbell
Aboriginal bark paintings are more than just ochres on bark: they represent a social history; an encyclopaedia of the environment; a place; a site; a season; a being; a song; a dance; a ritual; an ancestral story and a personal history.2
Lynne Kelly • The Memory Code: The traditional Aboriginal memory technique that unlocks the secrets of Stonehenge, Easter Island and ancient monuments the world over
Elaine Williamson
@ewilliamson01
The songlines discussed here and the range of portable devices I will describe all meld naturally into a system which is far more complex to describe than it is to use. I don’t understand why I am never confused by drawing information from a whole range of memory spaces, but I am not. After a few years of adding data and commentary, stories and myt
... See moreLynne Kelly • The Memory Code: The traditional Aboriginal memory technique that unlocks the secrets of Stonehenge, Easter Island and ancient monuments the world over
The Memory Code: The traditional Aboriginal memory technique that unlocks the secrets of Stonehenge, Easter Island and ancient monuments the world over
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Holly Cole
@hollyface1975
Sandra de Helen
@dehelen