Sublime

“Klosterman is like pop culture’s version of Michael Moore, a zealot who simultaneously amuses and provokes…. Savvy and insightful.” —USA Today

“Blame It on the Boogie” is confusing, because it’s a cover of a song by Mick Jackson, an English singer whose real name was also Michael Jackson. He had a version of the song out at the same time, and British newspapers and radio stations took sides: some of them liked the Jackson version, while others liked the Jacksons’ version.

Par ailleurs, j’écrivais plus d’articles pour les magazines rock — Crawdaddy, Circus, Rolling Stone. C’était une époque où la profession de journaliste musical avait ses lettres de noblesse. Paul Williams, Nick Tosches, Richard Meltzer et Sandy Pearlman, entre autres, étaient des écrivains que je tenais en haute estime. Je prenais modèle sur Baudel

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The club Marquee on Tenth Avenue in Manhattan is often attributed with pioneering bottle culture by hiring image promoters to bring models to attract spenders.